Letter to the Editor by John Derbyshire

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The American Spectator
April, 1996
Love and Marriage

Your reader Forrest Mims (Correspondence, TAS, January 1996) seems to chide Ben Stein for appearing on Fox TV's "Married With Children." This is not the first time I have seen MWC disparaged in the conservative press. Why is this? I am, I believe, as conservative as a person can be, and I think MWC the funniest show on TV.

I think people who know MWC only from hearsay imagine it to be "anti-family." This is nonsense. The premises of the show's comedy are that marriage, child-raising, and work are irksome chores usually thankless, frequently degrading, and occasionally disgusting. This is not the whole truth about family life, of course; but it is a part of the truth for all of us some of the time (and for some of us, perhaps, all the time) and deserves a hearing. MWC is in the same genre as the comic postcards of Donald McGill, about which George Orwell wrote a famous essay. Like those postcards, it is subversive yet harmless, providing comedic release for universally felt frustrations and fantasies.

And just compare the competition. The only other truly white-trash sitcom, "Roseanne," can never be funny for ten seconds without leaking sap without, that is, pausing to deliver a PC sermonette about homosexuality, feminism, or abortion. For all their faults, Peg and Al Bundy at least waited until they were married before having children, unlike Murphy Brown. And while it is true that Al's daughter Kelly is sexually promiscuous, she is also a moron; the people in "Seinfeld" are just as sluttish, but are supposed to be chic and educated. Which portrayal is more subversive of the general morality?

The Bundys got married and stayed married, long after romance had wilted and passion slid into habit. Al has a job he hates, which pays a pittance, but he slogs away gamely at it to support his family. The kids are witless and irresponsible, but ultimately always loyal to their parents. Are these not conservative values? It is true that nobody in MWC goes to church (who on TV does?), but nobody is on welfare, either.

And Ben Stein is right: MWC is funny. I defy anyone to sit with a straight face through the famous "Godfather" episode; or the saga of Al sweating an image of Elvis onto his T-shirt; or the dead-dog sketch in which Mr. Stein himself appears; or Kelly, struck with sudden insight, crying out "Urethra!" Ed O'Neill, who plays Al, is one of the great masters of TV comedy, up there with Phil Silvers and Jackie Gleason. The whole team, in fact, is perfectly matched, playing off each other like trapeze artists. Watch the precise timing of Bud in the dead-dog episode, when the fake preacher tells Kelly she must share herself with other people more. The camera pans to Bud, who we know is not going to let that go by without comment: "If she shares herself any more, she'll be traded on the New York Stock Exchange." MWC is great TV To be sure, that is not saying much: but it is saying something.

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